Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.
Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.
When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North …
Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.
Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s bestselling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.
When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.
A virtuoso performance that is as human and tender as it is intellectually playful, Sea of Tranquility is a novel of time travel and metaphysics that precisely captures the reality of our current moment.
On prend grand plaisir à voyager avec Emily St. John Mandel. D'abord avec ce qui pourrait sembler, au premier regard, des nouvelles qui se situent à différentes époques du passé et du futur ; puis, dans un second temps, à avancer dans un récit qui fait le lien entre toutes. Les lignes de temps se croisent et s'emmêlent avec délicatesse. Le récit est rondement bien mêlé, et bien que j'aie trouvé la prose un peu trop sommaire dans les premières pages, j'ai également perçu une amélioration du style au fur et à mesure de la narration.
I found this touching and hopeful, I liked how poignantly the characters were drawn, and the themes of kindness and the vicissitudes of life.
My main complaint was that I think the simulation theory stuff was basically an unnecessary macguffin and didn't add to the themes (at least as far as they interested me).
I liked the story of isolated humans trying to find meaning in their lives, all tangled together and touched by the miraculous. It left me feeling hopeful and reassured.
Enjoyable, even once you've guessed how it’ll all go down
4 stars
I liked it because it was well written and short. Longer would have been boring, shorter would have cut too much. I wonder how the author's experience during the pandemic influenced the Last Book Tour Before the End of the World chapter (at least one discussion in the book was real—but from 2015). I liked this book very much, but I liked Station Eleven better, hence the 4 stars.
This book washed over me. I loved the story and the way it made me feel about family, about time. The way the different stories knit together, the moments of realization that the author flawlessly sets up and executes... all of it. Lovely.
Content warning
Contains slight spoilers after 1st paragraph
Emily St. John Mandel is such an incredibly talented author and this book is richly written. The characters are intriguing and the plot will kind of blow your mind, put it back together, and then blow it again.
When Emily St. John Mandel wrote her first book about pandemics (Station Eleven), very few of us had ever lived through one. Now, we all have the experience of COVID lockdowns, being confined to career/education-by-Zoom, not seeing another human in person for weeks on end, not hugging family members for months on end...this book is highly informed by those experiences, and this author is the exact write person to write us through that shared experience (even if this pandemic is set a few hundred years in the future).
Fantastic to a point I did not expect. Very meta, and covers aspects that took me by surprise. I rarely read the descriptions of books written by authors that I have read before, and here it totally paid off. If you have read the previous two works by this author, you will like where this book takes you.
